This one probably isn’t about what you think it is
This post is part of my ongoing project to migrate my old Art Is My Middle Name newsletter archives to my own website. Learn more about all that.
Originally published May 21, 2020
Hey, There,
It’s not much of a secret that I love country music. The good stuff, the old mid-20th-century stuff, with a firmish wall somewhere in the early 80s that gets breached only by a few holdovers from the previous era or traditionalists looking back and working with the tools of that age.
It’s the music I grew up with in rural Nebraska. The house I grew up in—originally, per my grandfather, a shack to store corn in that was then retrofitted into a house—was small, and the living room was dominated by my parents’ enormous stereo console, and I have two competing good memories there: listening to them play Hank Williams and Johnny Horton really, really loud, and sitting next to the console pulling vinyl off the shelves, looking at the album art (I often roll my eyes now when I hear people wax rhapsodic about how digital music takes away the album art experience, but hell, maybe they’re on to something).
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