For the Record is an ongoing (I hope) series where I write a bit about albums that I have strong feelings about, good or bad.
Bluegrass is a weirdly bifurcated world. There’s a joy to the music; even when the lyrics are about heartbreak, misfortune, or murder, it’s impossible to feel too bad when you’re hearing fast picking and high harmonies. But there’s also a joylessness to the milieu out of which the music comes; no area of country music (or, indeed, of music in general, in my personal experience) is as hidebound and hung up on following the rules and doing it the way it’s always been done as bluegrass is. I know from direct experience that musicians-looking-for-musicians listings involving bluegrass will be the most prescriptive out there, and that to even think about getting into a bluegrass band is to run a serious risk of spending half your time bogged down in arguments about the right way to play bluegrass.
Which is part of why Buck Owens’ Ruby & Other Bluegrass Specials is such a goddamned miracle. It’s an experimental, bordering on trippy, take on bluegrass that actually does take the music to strange new places.Continue reading For the Record: Ruby & Other Bluegrass Specials, Buck Owens (1971)