
<< FIRST STRIP | < PREVIOUS | NEXT STRIP >
<< FIRST STRIP | < PREVIOUS | NEXT STRIP >
Maybe worth noting that I kind of have a 3-way creative split going on right now between Ripsaw, Pickup Switch, and A Life in Film (4-way if you include the band, I guess), so progress on all of them might be a little slow, especially for the next couple of weeks as I settle into a new job. I know you’re supposed to just pick one thing and be good at it, but that’s not how my brain works.
Just know that nothing’s being abandoned, it’s all just moving along at its own pace. And thanks!
<< FIRST STRIP | < PREVIOUS | NEXT STRIP >
To be super-duper ultra-mega clear: I think it’s great when Americans of Euro descent are conscious of the history of the land they’re on, and what had to happen for things to be the way they are. I’ve seen land acknowledgements done as part of larger holistic programs , and I think that’s great when I see it. My beef is entirely with words divorced from action. I’m not calling for fewer land acknowledgments here, I’m calling for more action to go with them.
<< FIRST STRIP | < PREVIOUS | NEXT STRIP >
Quick explanatory note on this one: this is a real screenshot from the Strib on 1/1/24. I was and am pretty appalled.
OK, to be clear: this is coming from a place of skeptical love. I like the Current a lot, they’re a community asset, and they’re the only rock station in town worth paying attention to enough to joke about. But I really can’t shake the feeling that the main thing they provide is a sense to old musicheads that they won’t get made to look out-of-touch when they talk to people in their 20s.
Holy shit! A brand new webcomic era begins! You might recognize these two characters from Nowhere Band; don’t worry, you don’t need to read back issues to get what they’re up to, and there are plenty of new characters coming.