Publisher’s Statement from Chain-Fighting Prospectus #1

Publisher’s Statement, from Chain-Fighting Prospectus #1

by Roger Ehrman, Publisher*

chain-fightingI’m sure we all have a few cherished memories from the glorious days of chain-fighting in our youth. For me, it’s something of a toss-up between two extremes. On one hand, there’s the big-league memory of the day in 1963 when prohibitive underdog Joe Oberg stared into the cameras and guaranteed a victory over Tiny Wallace, and then broke out all of the champ’s teeth on the second swing of his anchor-chain. Stirring, indeed, but equally golden in my mind are all of the Sunday afternoons when I went with my father out behind the Amoco on the outskirts of Mason City to watch the amateur chain-fights; certainly not as glamorous, but it taught this young man a great many lessons on how a man faces pain.  And in that light, I think I can be forgiven for waxing a bit sentimental.

There are those who say that chain-fighting has fallen from those hallowed days, that the cable TV deal and the Snap-On Tools sponsorship have robbed the sport of something essential. These purists are certainly entitled to their opinions, but I feel that they are missing the point. Chain-fighting is about two men, eight feet of linked metal, and the raw will to compete; nothing more, nothing less, and no TV deal will change that.

Chain-fighting is as vital and energetic today as it ever has been.  Indeed, I would argue that chain-fighting is poised to enter a new, golden age as we begin the Twenty-First Century. Witness the revolution sweeping the sport in the wake of Magnus Thorsson’s groundbreaking two-handed swing technique.  Or the team at Stanford investigating the introduction of ringside epidurals. Or the wave of exciting new chain materials– including ceramics– coming out of Japan, truly stretching the boundaries of what chain-fighting is and can be. I am firmly convinced that, for those of us in the happy fraternity of link-swingers, the road ahead has never been brighter.

Continue reading Publisher’s Statement from Chain-Fighting Prospectus #1

Bleeding Edge Has Been Keeping Me Up At Night

bleedingedgeAfter powering through Bleeding Edge, Thomas Pynchon’s latest work, I keep finding myself having trouble getting to sleep because big chunks of my brain were still engaged with analyzing the book. And it’s great to be so caught up in a book, but the lack of sleep is becoming a pretty big bummer. So I thought I’d try to capture some of this in writing in the hope of getting some goddamned rest.

This isn’t by any means an attempt to put together a coherent analysis; coherent analysis of Pynchon is a mug’s game, especially when you’re going on only one read-through. But a bunch of things jumped out at me, and they’re all similar enough to suggest a kind of overarching intentional pattern.

More than anything else, Bleeding Edge seems to me to be about disappointment. Disappointment in the way the United States has reacted and changed since September 11, and disappointment in the slow but steady shittification of the Internet (and there’s an enormous amount of overlap between these two disappointments; we’ll get to this later, but in the meantime ask Edward Snowden). I might be projecting my own shit onto the book here, but I don’t think so (of course, you never do).

Continue reading Bleeding Edge Has Been Keeping Me Up At Night

BULLETIN: ENGLISH DEPARTMENT COURSE ADDITIONS FOR SPRING SEMESTER

In response to requests from recent graduates who felt that their studies here did not properly prepare them for the realities of the working world for writers in the current market, the Department of English is pleased to announce the following slate of new classes for the Spring semester (registration preference will be given to seniors nearing graduation):

 

ENGL 304: TV RECAPS

(optional lab: ENGL 305, Snarky TV Livetweeting)

Episode-by-episode recaps of popular television shows are one of the hottest – some would say the only – growth sectors for young writers entering the market. In this class, students will receive hands-on instruction in the delicate art of writing 1500-word recaps of TV episodes to post to entertainment websites to attract search engines and spur long, heated discussions in the comments. Special attention will be paid to identifying and coining derisive nicknames for “good” and “bad” characters on reality shows, and to working up witty in-text rejoinders to things said onscreen.

In the optional lab, students will gain practice tweeting sarcastic responses to TV shows as they air, with emphasis on making up catch hashtags. #RequiredTextDuckDynasty

  Continue reading BULLETIN: ENGLISH DEPARTMENT COURSE ADDITIONS FOR SPRING SEMESTER

The Bust-Up: The Clash


In this periodic feature, I’ll take a look at the endings of bands with interesting flameout stories.

The Clash

The more I learn about the Clash, the more convinced I am that their implosion is a lot like the reentry burnup of the space shuttle Columbia– the fiery, visible disaster was just the inevitable result of seemingly innocuous events that happened quite a while before.

In the case of Columbia, a chunk of foam insulation broke off of the shuttle’s external fuel tank during launch and smacked into the ceramic tiles that comprised the craft’s heat shield. These “foam strikes” were common events during shuttle launches, and were considered no big deal. Columbia made it into space and spent 2 weeks in orbit conducting business as usual. Then, as the shuttle broke orbit and glided through the atmosphere at Mach 24, the heat shield failed where the foam had struck. At the speed the shuttle was travelling, this was fatal; the craft wrenched itself to pieces, and the wreckage burned itself down to the ground.

And so, the Clash. I think they were pretty much cooked the second they signed their contract with CBS. Mark Perry of the fanzine Sniffin’ Glue famously said that “Punk died the day the Clash signed to CBS;” I’ve never agreed with that sentiment, but I do think that the signing of that particular contract started a countdown that led, more or less inevitably, to a rump version of the band releasing a farewell album so terrible that polite society has chosen to pretend it doesn’t exist.

Continue reading The Bust-Up: The Clash

I’m Great at Missing Things

…so it took me a mere 4 years to stumble across this i09 post (by Greame McMillan, who I have thought was awesome for a long time) praising my McSweeney’s COBRA stuff. Which just hits me as funny because this is turning into a trend, my finding stuff like this months or years later. Awesome to stumble across now – it’s been a rough day, so it’s a good time to come across something positive – but it’s weird to me how great I am at missing things.

It Ain’t Easy (in the Country)

As part of a group remake of The Rise and Fall of Ziggy Stardust, I have committed some pretty serious crimes against Bowie:

In my defense, a) It Ain’t Easy is easily the worst song on the album (Bowie’s version only works because he’s got Mick Ronson there to save the day), and I basically had to destroy the village to save it; b) Bowie didn’t write the damned thing anyway (which really shows in the lyrics, which are pretty Zeppelin); and c) I actually think my guitar parts are pretty cool.

This alternate version from the same challenge is also pretty excellent.

Kirk and Picard were both on the hook for a bunch of these…

mVOSgUNITED FEDERATION OF PLANETS

 

FORM TST-6- TEMPORAL DISPLACEMENT IMPACT ASSESSMENT (PAST)

for temporal displacements to the future, file form TST-7a

 

Filing officer information

Name:

Rank:

Starfleet ID:

Duty vessel:

Stardate of initial temporal displacement:

Stardate temporally displaced to:

Stardate returned to, if applicable:

Displacement involved (circle appropriate): ship / crew / both

Displacement was (circle appropriate): accidental / intentional

Number of Starfleet personnel displaced:

Number deceased while displaced:

Number of non-Starfleet individuals displaced:

Number deceased while displaced:

Answer these questions as completely as possible:

1. List all past-resident individuals encountered during displacement (using red pen, circle names of all past-resident individuals killed during displacement):

 

2. Using a 1-6 scale (1 unimportant, 6 critical), rank all individuals listed in question 1 in terms of their importance to known history:

 

3. Describe, in as much detail as possible, all interactions with past-resident individuals during displacement (attach additional sheets if needed):

 

4. Was any knowledge of future events or technology imparted to past-resident individuals during displacement?

If yes, list future events or technology discussed:

 

5. Were any present-resident individuals left behind in the past?

If yes, list their names and (if relevant) Starfleet IDs:

 

6. Were any past-resident individuals brought forward to the present?

If yes, provide as much identification data as possible:

 

7. Were any physical technological artifacts from the present left behind in the past?

If yes, list:

 

8. In your professional opinion, is it likely that a branching timeline was created by this displacement?

If yes, is it likely that this timeline is dystopian?

 

9. Rank, on a scale of 0-6 (0 is minimal, 6 is severe), your impact on the course of known history during the displacement:

THANK YOU FOR YOUR COMPLIANCE WITH STARFLEET TEMPORAL DISPLACEMENT REGULATIONS. YOU WILL BE CONTACTED FOR FURTHER DEBRIEFING WITHIN 10 BUSINESS DAYS OF SUBMISSION OF THIS FORM.

The Best Idea I’ve Ever Had

bondtuxSCENE: A strip club on ladies’ night. Music’s booming, hunks are prancing around onstage in the standard Chippendales collar-cuffs thing. In the crowd, towards the back, we see a woman who is clearly some sort of arms dealer or terrorist or something terrible, here to conduct some business while taking in the show.

Camera swings back from her to the stage, focusing on one dancer in particular. The music shifts subtly – why, what is that familiar theme it’s moving around?

Suddenly, the dancer in question raises his hands to his neck AND RIPS OFF HIS LATEX CHEST TO REVEAL A TUXEDO UNDERNEATH (which is connected to the collar and cuffs of course) AND OH SHIT THAT’S THE JAMES BOND THEME THAT’S PLAYING AND THEN BOND PULLS HIS GUN AND MOWS DOWN THE BADDIES AND GOD DAMN WHAT AN IDEA.

Disasters and Recoveries and Education and the Return of Nowhere Band

nwiconLet’s start with the executive summary: After being in creative exile, more or less, for the past 4 months, I started work this morning on bringing back my old rock strip Nowhere Band. The new volume will, somewhat recursively, follow the Awesome Boys as they try to get their band back together after a long hiatus and deal with the fact that they’re now edging into being older than their musical peers. First new strip should go up some time next week. It should be funny and human. I’m stoked.

Continue reading Disasters and Recoveries and Education and the Return of Nowhere Band

Why So Quiet?

thin-lizzieWell, it’s simple… since I work for a university, I recently became eligible for free tuition for grad-level classes, so a couple of months ago I started a master’s program in software. Which I’m sure will pay off in the long run, but in the short term it’s kind of meant tossing a hand grenade into my life as I knew it. Work on EYEBALL continues, but at a drastically-reduced pace; I don’t know that I’ll finish more than 4 or 5 pages this semester (although then it’ll pick up over the summer, at least for a while).

Stuff’s still happening, though. Before the coursework shit really started hitting the fan, I had time to work something up for Andrew Weiss’ Ultimate Powers Jam, and I’m actually happier with it than I am with pretty much any creative thing I’ve done for the past year. So there’s that.

In the meantime, yeah. I’m still around, and still working on comics at a snail’s pace. When I’m not fighting with Python.

History Is Hilarious – The Ol’ Fez Switcheroo

goebenI’m about halfway through Barbara Tuchman’s exceedingly excellent The Guns of August; World War I had always been a gap in my 20th century history, and I’ve always heard good things about the book. I’m really happy to say that it justifies the hype. It’s fascinating and – weirdly – hilarious. The more I read, the stronger my impression that Europe in 1914 was under the collective rule of one of the biggest gang of boobs in history, and that if World War I didn’t have such a horrible body count associated with it, it would rank as one of the great comedic acts of mankind.

Consider the case of the German battleship Goeben and her companion, the cruiser Breslau.

At the outbreak of hostilities in 1914, Goeben and Breslau were stationed in the Mediterranean. Shit hits the fan. War breaks out. Because of a network of pacts, you abruptly have a situation where noted world powerhouse Serbia is allied with Russia who’s allied with France who’s allied with England, opposing Austria-Hungary and their allies the Germans. The Ottoman Empire is neutral as things start out. They don’t like the Russians much, but they have a longstanding relationship with England, and there are a lot of German sympathizers in the Turkish military. They could go either way. And they’re strategically important, since all of the good warm-water ports supplying Russia depend on shipping traffic through the Dardanelles.

So. The Ottomans, a crucial swing state that could go either way. What do the British do to win them over? They seize a couple of completed battleships that they’d been building for the Ottomans. Ace diplomacy there.
Continue reading History Is Hilarious – The Ol’ Fez Switcheroo

The Awesome Boys: Sub Cauda EP

SubCaudaWeb1So, yeah. After working on it for most of 2012, I’ve finished and put out an EP on behalf of my fictional band, the Awesome Boys. It’s pretty good stuff, I think; if nothing else, it’s a good approximation of what the inside of my head sounds like, processed into something catchy and entertaining.

In an email to a local rock writer, I described the album thusly:

It’s always hard to come up with a description of your own music, but I guess I’d call Sub Cauda “ambitious garage rock.” There’s a lot of guitar and weird noises coaxed out of a Kaossilator. You could maybe say it’s music that draws equally from the Flaming Lips and Guided By Voices. Or probably not. But that’s a start, I guess.

That’s probably as good of a description as I can do. Anyway, go check it out! The whole thing is free to stream or download on my Awesome Boys site; or if you prefer SoundCloud, 5 of the 6 songs (minus a pretty rad Bowie cover) are streaming over there.

Reviews You Would Not Want to See After Renting Out Your Apartment on AirBnB.com

OfficePorchSteve: The place was great! Spacious and sunny, just like the listing said. And the location couldn’t be beat! My wife and I were also really impressed with the strength of the bedframe, and the decorative headboard offers a very convenient number of latch-point options for restraints. Highly recommended.

Emily: It was nice to stay in a place with a full kitchen and easy subway access. The garbage disposal really goes above and beyond the call of duty. But most of all, we appreciated the way the locks and doors took a lot of abuse but stood strong! Also, police response in the neighborhood was superb.

Luther: The living room was in fact as large as it looks in the pictures in the listing. Easily offered plenty of room for both a hardcore band and a mosh pit. The band’s equipment tested the apartment’s electrical system, but fortunately the building’s breaker box is easily accessible and no problem to bypass. GREAT PLACE! Would totally stay there again!

Annie Q: Before we showed up, I was totally worried about being kept up by noise from the street, and by the logistics of getting the keys to the place. But none of those wound up being a problem, and the apartment was fantastic. My only complaint was with the bathroom- the bathtub was a little small, and it was a real stretch to fit 3 of us in there. But we managed… the bubbly sure helped! 😉

Mike: Boy, their cat was a real trouper.

New project, page 1

So, here’s what I’ve been working on. This is the inked (but not colored or lettered) first page of a graphic novel I’m setting out on. This should be a pretty big project, and I’m actually not sure what my endgame will be as far as getting it out into the world- I want to have a big chunk of pages put together before I start thinking about whether or not to run it serially online, for instance.

The project is (temporarily) called Eyeball, and it’s about spyplanes in the early 60s. Or about not getting too lost in your job, depending on which way you want to look at it.

This one’s been gestating for quite a while; I wrote out the original plot and started scripting in 2006. I was really excited about the project, but eventually bailed because 1) I didn’t think I could draw well enough to do it justice, and 2) the thought of doing all of the visual research to get the look and feel right for a story set in 1960 just scared the piss out of me. But now I’m 6 years better at drawing (I still think it’ll be a challenge, but it’s actually possible this time) and, well, Mad Men has gone and done me the favor of researching what things looked like in 1960.

So we’ll see where this goes.

X-1

x-1

A drawing of the Bell X-1, the first plane to break the sound barrier*. First flight in 1946. Design inspired by a rifle bullet because that was the only thing anyone could think of in 1945 that was supersonic.

*a German pilot claimed to have broken the sound barrier while diving in a Me-262 in 1945, but nobody really takes the claim seriously.

I’ll be drawing a lot of planes in the near future, as a warmup for the next biggish project.

 

OTTO is on indefinite hiatus

So, this is one mid-level-upsetting part of a larger, extremely upsetting situation: I’m stopping production on Otto, Protector of the North Woods. Or, more accurately, I stopped a week ago and won’t be starting up again.

What’s the deal? Well, frankly, the deal’s a pretty severe bummer. Some really, really tragic shit happened in my family last week. Bad enough that I’m still reeling from it, and probably will be for a while. At this point, I’m not really capable of creative work. But even after this upset eventually eases, the upcoming Otto storyline is largely about depression and suicide (in some ways, the whole strip is), and that’s not an area of my brain that I think would be healthy to spend a lot of time in right now.

I don’t know if the strip will eventually be revived or not. I know that eventually I’ll pick back up with some sort of creative work, but at this point I have no idea what that’ll be. Keep an eye on this space, I guess, if you’re the sort who cares.

Heroes (rough mix)

Heroes– wherein I take the David Bowie classic to strange (and terrible) places with my Kaosillator.

This is a very rough draft mix; I’ll probably need to bring some things up, take some things out, and add some tracks. But it’s too weird and to large in my mind not to put it out somewhere.

Like the American single version, I cut out two of the opening verses, but a different two than the ones Bowie cut– I think this one makes the narrative of the song a little clearer.

Eschaton Lite

This was originally housed on a side page of my Nowhere Band site; I realized recently that it makes a lot more sense for it to live here.

THE RULES OF ESCHATON LITE

rev 1.4, 2.9.23

GOAL

The purpose of this document is to produce a playable version of the game Eschaton as presented in Infinite Jest.  As we’re making several departures/simplifications from the version laid out by David Foster Wallace, we’ll call this version Eschaton Lite.

Eschaton Lite simulates a Cold War nuclear exchange, using tennis balls  thrown around on a large gamespace representing a polar-projection map of the Northern Hemisphere. Blocs made up of nation-states and treaty groups will flex their nuclear muscles at each other over a strategic prize, and all hell will inevitably break loose.

(for those who care, the departures from the full Wallace version of Eschaton are as follows: Wallace Eschaton is played on a space consisting of 6 tennis courts, arranged 3×2, and missile launches are conducted by lobbing the balls with tennis racquets; Lite’s space will generally be smaller, and balls can be thrown rather than racquet-lobbed. Additionally, Wallace Eschaton calls for heavy use of computers both before and during play; Eschaton Lite will put pre-game decisions at the Ump’s discretion  and use a combination of Ump discretion and pencil-and-paper for in-game computing).

For purpose of example, this document will refer to a game scenario set in 1984, wherein the US, NATO, USSR, Warsaw Pact, and Israel will deal with a crisis in East Berlin.

Continue reading Eschaton Lite

Civil War Ninjas

(this originally ran on a now-defunct site called Modern Humorist)

by Keith Pille

Feedback on Midterm Paper
US History, 10th Grade

Richard:

I find it very painful to say this, but your midterm project is unsatisfactory in virtually every way an academic paper can be. I can only hope that this is a one-time occurrence and not a sign of deeper problems that could compromise what promises to be a fine scholarly career.

I must say that it was rather unorthodox to open your paper with what I can only characterize as a personal attack on me and my so-called “revisionist history.” While I grant you it is academically healthy to question the veracity of the information you are given in your textbooks, it is hardly constructive to couple your claims with crude statements about my family life, moral character, and mental capacities. I did my best to prevent my evaluation of your work from being colored by your opening remarks. Continue reading Civil War Ninjas

A Bad Day to Be A Sturgeon

This is an essay I wrote in 2005 for American Nerd, a now-defunct web magazine I used to run.

1.

Some fish are beautiful works of natural engineering. Northern pike, for instance, are streamlined and powerful-looking and possess the same sort of deadly grace as a fighter jet. Or look at trout; for a hiker, there are few treats greater than hiking next to a clear, swiftly-moving stream and spotting a school of trout hovering in formation. You can almost convince yourself that the piscine evolutionary process includes an aesthetic clause, some hidden set of criteria that weights grace and beauty as highly as survival and reproduction.

The lake sturgeon is proof that this is a hollow conceit. There are uglier things in the world than the sturgeon, but not too many. Long, thin, and rubbery, an individual sturgeon looks like a beefed-up seagoing vacuum hose with a few perfunctory fins, an impression furthered by the limp sucker mouth hanging down from the bottom of the fish’s head. The bottom of the fish is your standard fishbelly white; the top is a dark brownish-green that wouldn’t be at all out of place in a diaper. A set of whiskers (barbels if you want to be scientific about it) represents the sturgeon’s only attempt to snazz it up, and, well, barbels as an accessory don’t even look that great on catfish.

Lake sturgeon, to put it bluntly, don’t look like something you’d want to eat, much less go to any effort to catch. If anything, they look like they’d be useful for scaring children or maybe leaving in someone’s bed if you wanted to send a particularly emphatic message.

It’s hard to believe, then, that the sturgeon is capable of inducing mass hysteria (well, maybe if a giant one rose out of Lake Michigan and started menacing the city of Green Bay). But that’s the case. Every five years, Eastern Wisconsin’s brief sturgeon-spearing season drums up enough excitement to cover the lakes with flash towns of ice-fishing shanties, each one full of normally-rational adults willing to stare for hours into dark water with a spear in hand, hoping for the chance to impale a butt-ugly fish.

Continue reading A Bad Day to Be A Sturgeon